My heroine, Corrie Locke, is a newly minted lawyer who works in a movie studio. That was me, once. What else do we have in common?

– We’re both Southern California natives and Angelenos;
– We can’t resist a tasty dessert. Every one of my teeth is a sweet tooth;
– Both attended UCLA;

– Corrie works at a movie studio that happens to be in the same spot as the studio where I once worked;
– I lived in Hermosa Beach on the same street Corrie lives;
– We had interesting bosses at the studio;
– We’ve driven BMW relics;
– Our mothers are dope in the kitchen;
– I do have a few sleuthing skills up my sleeves (minor compared to my heroine, but she has an advantage, thanks to her dad);
– We have both investigated petnappings;
– We both may or may not have been involved in an impromptu low speed car chase. That’s all I’m saying.

Unlike Corrie:

– I’m not the daughter of a late great PI;
– I have no illegal weaponry, but I have one of the top five stun guns on the market. That must count for something;
– I was happily married during my entertainment attorney days;
– My legal assistant did not harbor a not so secret ambition to open a PI agency;
– No investigations of alien encounters or homicides for me, thank you very much;
– No dartboard in my living room;

As the series progresses, so do Corrie’s crime-cracking skills.

The action and situations Corrie experiences don’t even come close to my more humdrum encounters. There was a Hollywood movie legend that my studio division handled, but she wasn’t nearly as colorful as movie legend, Lacy Halloway, who appears in MURDER: DOUBLE OR NOTHING. But that’s where the idea came from.

Like Corrie, I watched a movie or two being filmed on the lot, but none where the fictional action scene turned real, thankfully, or I would’ve been scarred for life!
 

Writers seeking recognition, validation, or those with a competitive streak: you’ve probably heard plenty of opinions on writing contests, good and not so good. I’m going to throw my opinion in the ring since I’ve a few writing contests under my belt, so I know a little something. Maybe very little, but still.

Were the contests I entered worthwhile? Yep. That’s because I didn’t enter contests with large fees or that appeared illegitimate (per this site and this one).

I entered my first one when I was ten years old. I submitted a poem about horses to McCall’s magazine. And received a certificate of recognition. It felt pretty good.

Fast forward a few decades. I wanted to write a book, but didn’t know how, what, where or much of anything. But I stumbled across a writers’ contest sponsored by the San Francisco Writers’ Conference. The winner would attend the conference for free. I entered the first chapter of something festering in one of my drawers. I dusted and sent it off. And surprise! I won. That win changed everything. When I attended the conference as the winner, everyone seemed to think I could write. For the first time, I thought I might be able to pull it off.

Fast forward a year later. I had a nearly finished manuscript for a mystery novel. I entered another contest with no entry fee. The winner would win $500 to be used toward taking a writing course. To my great surprise, I won! It felt wonderful!

I’ve also entered contests with small fees, lost and received let-down feedback. One of the four judges gave me a very low score. She made it clear she didn’t like the writing (this was the same manuscript I’d used to win the scholarship). Two judges gave me okay scores and one thought the manuscript was perfect! I learned the importance of not focusing on negative feedback and that opinions are subjective.

Would I enter a contest again? Sure, if the price was right. Contests can be confidence boosters, learning experiences and notches in our belts…if we choose carefully and not take any feedback too personally.

Wouldn’t it be fantastic if we had ideas churning in our heads all the time? There’d be no end to the books we’d set sail to. What’s that, you say? You’ve got plenty of ideas? Well, what are you waiting for? You should be writing.

But what if ideas don’t flow so easily? That’s what I was asked by attendees during one of my library appearances. They wanted to know where I find my story ideas. I’ll get to that in a moment. But even when ideas aren’t sitting around, waiting to be picked up, we should still be writing. Forging ahead often gives direction to the train ideas are traveling on. Words and ideas have a swell time hanging out together.

With my latest, MURDER: DOUBLE OR NOTHING, I had a pretty solid sense about how the story would begin. I knew exactly where heroine Corrie would be and what would unfold…but after that? I wasn’t so sure. One thing I did know was that I needed to push ahead and not fall into any lurking black holes.

I start by sitting behind my laptop, wondering where Corrie is going or doing next. Corrie needs to move almost all the time to propel the story forward. Nancy Drew fans: did you ever see Nancy sitting idle? No way. She was a woman of action.

If I’m not happy with the creative direction of my writing, I wander around the house for a short time, performing mindless tasks. I may look like I’m doing the laundry, but I’m really wondering what Michael (Corrie’s long time best pal) will do to help investigate the latest crime. Or what Veera (Corrie’s no-nonsense, tells-it-like-it-is legal assistant) is up to? Mundane tasks sometimes lead to interesting ideas.

I also scan online news articles. Headlines. But not from the usual news sources. Everyone reads those. I look for the more obscure, buried headlines in smaller news sources. While I search, I gather possibilities that may lead to the creation of events and characters. News stories involving con artists, stunt dummies, FBI agents and monkeys made it into my third book, thanks to online searches. All of which makes us writers kind of like Nancy Drew, too. We’re action takers!